For those unfamiliar with it, a zoetropes a pre-film animation device producing the illusion of motion by displaying a sequence of drawings and photographs showing progressive stages of that motion.

Maria: “It’s nowadays a technique that keeps on popping in both commercial and music video productions. As a matter of fact, Stash media even compiled a list of projects featuring zoetropes, which one can check out here. For me, however, seeing a zoetrope was always springing into mind David Wilson’s 2009 music video made on We Got Time by Moray McLaren. Or better said, that was the case until now, because this latest work by Francois Rousselet, does up the stakes by producing quite a spectacular visual display.

A contribution to Cash In,  Cash Out artistry comes, of course, from using the claymation technique. But it’s quite innovative Francois Rousselet’s twist making the stop-motion’s disruptions clash with zoetrope’s illusion of movement with the result of giving the promo a feeling of it being a collection of Instagrammable gifs. All very now, all ready to be separated in tiny bits that will look amazing on social media.”

 

“On the other hand, Francois Rousselet, whom music videos aficionados might remember as being part of the creatively infamous duo Jonas & Francois, is known for his punchy, in-your-face promos. Audio Bullys’ Only Man is a great example in this sense, alongside his music videos for Madonna, Depech Mode, Kanye West and Jack White. Cash In, Cash Out is in many ways an organic step further for him”.

As far as the production of the music video is concerned, according to the Division‘s website, “it all happened during the pandemic. The four-minute video took over a year to make with animation of Williams and rappers 21 Savage and Tyler, the Creator crafted by hand after studying show footage plus video shot by the artists performing their verses from the track. Director Francois Rousselet alongside the CG animation team at Electric Theatre Collective had a blast pushing the zoetrope to new levels of complexity in this ode to excess for Pharrell Williams and friends.”

Absolutely refreshing to see such a nice twist on a device and concept we thought we’ve seen everything about!

Music videos are still very much alive and kicking as a genre where cutting edge creativity happens. And this is exactly why with this series, curated by Maria Dicieanu, we’re focusing on the absolute must sees artistic gems of music video origins.

Whether linear, VR or interactive, The Marvids (short for Maria’s Marvelous Videos) aim to show-case why promos are still holders of unique aesthetic with their own particular beauty and artistry.